Questions and Notes
for the Discussion
"Europa Europa" (Hitlerjunge Solomon) The real story of Solomon Perel by Agnieszka Holland (1991) for Students in my First Year Seminar: From Holocaust to German Unification at McDaniel College, compiled by Dr. Mohamed Esa For Solomon Perel it is still "every time like the first time." He saw the film at least 200 times. In an interview with Leslie Katz of The Ethnic News Watch, Perel said about the film: "To see my mother, father, family on the screen with names that are so dear to me ... I just need to look in their eyes and I am reminded of the home and childhood that at age 14 was to me no more." (The Ethnic New Watch, October 22, 1993) In the same interview, Solomon Perel speaks of the "psychological transformation" he underwent: "I was an enthusiastic Hitler Youth in order to save my life. I changed my identity and soul and thoughts. If I would think like a Jew, I would not be able to play my role so perfect, so I had to be an authentic member of this world destiny had pushed me into." Perel was so integrated in the Hitler Youth that he still has some friendly relationships to some of the former Hitler Youth "comrades". "I would say my relations with them are especially ambivalent. They are my friends because destiny forced me to be their comrade for four years, but they also were my enemy. It is a very unique friendship." (The Ethnic News Watch, October 22, 1993) In 1948 Perel immigrated to Israel where he met his wife and reunited with two brothers who survived the Holocaust. He lost his parents, sister and many other relatives in the Holocaust. "I would say my battle shock was very, very long. It was in me so deeply." He didn't tell his story until 1983 when he was scheduled for an open heart surgery. "I felt maybe this operation will not be so successful and I didn't want to take my story into the grave." The film was to a great degree a true story. Some parts of the film were changed, added or altered with Perel's approval for the sake of the film: His sister didn't die in Kristallnacht (Night of Broken Glass) in 1938 but in a concentration camp in 1944. He says about this "It's not important when and where she died but the fact that she was killed." Perel also thought that some of the scenes were very odd or even "perverse." In one scene where he looks at himself in the mirror wearing a Nazi uniform and practicing the Heil-Hitler salute he was "struck by the absolute oddity of being a Jew dressed in a Hitler Youth uniform, dances a whimsical jig." (Leslie Katz, The Ethnic News Watch, October 22, 1933) These scenes "added more humor, sarcasm, a little perversion. It was a period of perversion," so Perel in the same interview. Questions for the discussion:
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© Dr.
Mohamed Esa, Dept. of World Languages, Literatures and Cultures at McDaniel College
Send comments and questions to mesa@mcdaniel.edu Thanks! |