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The
Cabinet of Dr. Caligary
(Das Kabinett des Dr. Caligari)  Top
of Page
- Barlow, John
D. "Caligari
and
‘Caligarism’." German Expressionist Film. Boston: Twayne
Publishers,
1982. 29-63.
- Eisner, Lotte.
"The Beginnings
of the expressionist Film." The Haunted Screen. Berkeley:
University
of California Press, 1973. 17-27.
- Kracauer,
Siegfried. "Caligari."
From
Caligari to Hitler, a Psychological History of the German Film.
Princeton,
N.J.: Princeton University Press, 1947. 61-76.
Nosferatu,
a Symphony of Horror (Nosferatu, eine Symphonie des Grauens) Top
of Page
- Eisner, Lotte.
"The Symphonies
of Horror." The Haunted Screen. Berkeley: University of
California
Press, 1973. 95-107.
- Kracauer,
Siegfried. "Procession
of Tyrants."
From Caligari to Hitler, a Psychological History of the
German Film. Princeton, N.J.: Princeton University Press, 1947.
77-79.
The
Last Laugh (Der letzte Mann) Top
of Page
- Barlow, John
D. "Der letzte
Mann, 1924." German Expressionist Film. Boston: Twayne
Publishers,
1982. 145-155.
- Eisner, Lotte.
"Murnau and the
Kammerspielfilm." The Haunted Screen. Berkeley: University of
California
Press, 1973. 207-221.
- Silverman,
Marc. "The Modernist
Camera and Cinema Illusion: Friedrich Murnau’s The Last Laugh."
German
Cinema. Texts in Context. Detroit: Wayne University Press, 1995.
198-213
Metropolis
(Metropolis) Top
of Page
- Barlow, John
D. "Metropolis,
1926." German Expressionist Film. Boston: Twayne Publishers,
1982.
118-133.
- Eisner, Lotte.
"Metropolis 1925-26."
Fritz
Lang. Berkeley: New York: Da Capo Press, 1986.83-94.
- Eisner, Lotte.
"The Handling
of Crowds." The Haunted Screen. Berkeley: University of
California
Press, 1973. 223-236.
Triumph
of the Will (Triumph des Willens) Top
of Page
- Barsam,
Richard. Triumph
of the Will. Bloomington: University of Indiana Press, 1975.
- Chulte-Sasse,
Linda. "Leni Riefenstahl’s
Feature Films and the Question of a Fascist Aesthetic." Framing the
Past. The Historiography of German Cinema and Television. Bruce A.
Murray and Christopher J. Wickham, eds. Carbondale and Edwardsville:
Southern
Illinois University Press, 1992
- Eisner, Lotte.
"The Decline
of the German Film." The Haunted Screen. Berkeley: University
of
California Press, 1973. 335-337.
- Hinton, David
B. The Films
of Leni Riefenstahl. Metuchen, N.J.: Scarecrow Press, 1978
- Infield, Glen
B. Leni Riefenstahl:
The Fallen Goddess. New York:Crowell, 1976.
Jew
Suess (Jud Süß) Top
of Page
- Hull, David
Stewart. "1939-1940:
The Antisemitic Film." Film in the Third Reich. Art and Propaganda
in
Nazi Germany. New York: Simon and Schuster, 1973. 157-177
- Rentschler,
Eric. "The Elective
Other: Jew Suess (1940)." The Ministry of Illusion. Cambridge:
Harvard
University Press, 1996. 149-170
- Schulte-Sasse,
Linda. "Courtier,
Vampire, or Vermin? Jew Süß’s Contradictory Effort
to
Render the "Jew" Other." Perspectives on German Cinema. Terri
Ginsberg
and Kirsten Moana Thompson, eds. New York: G.K. Hall & Co., 1996.
184-220.
- Welch, David.
"The Image of
the Enemy." Propaganda and the German Cinema 1933-1945. Oxford:
Claredon Press, 1985. 278-292
Murderers
Are Among Us (Die Mörder sind unter uns) Top
of Page
- Ott, Friedrick W. "Die Mörder sind unter uns/ The
Murderer Among Us."
The Great German Films. From Before World War I to the Present.
Secaucus,
N.J.: Citadel Press, 1986. 240-242
The
Marriage of Maria Braun (Die Ehe der Maria Braun) Top
of Page
- Kaes, Anton.
"The Presence of
the Past: Rainer Werner Fassbinder’s
The Marriage of Maria Braun.".
From
Hitler to Heimat: The Return of History as Film. Cambridge: Harvard
University Press, 1989. 73-103
- Rheuban,
Joyce. "The Marriage
of Maria Braun: History, Melodrama, Ideology." Gender and
German
Cinema: Feminist Interventions. Vol II: German Film History/ German
History
on Film. Sandra Frieden et al., eds. Providence, Oxford: Berg,
1993.
207-226
- Haralovich,
Mary Beth. "The
Sexual Politics of The Marriage of Maria Braun." Perspectives
on German Cinema. Terri Ginsberg and Kirsten Moana Thompson, eds.
New
York: G.K. Hall & Co., 1996. 378-390.
Germany,
Pale Mother (Deutschland, bleiche Mutter) Top
of Page
- Bammer,
Angelika. "Through a
Daughter’s Eyes: Helma Sanders-Brahm’s
Germany, Pale Mother." New
German Critique 36 (1985): 91-109.
- McCormick,
Richard. "Confronting
German History: Melodrama, Distantiation, and Women’s Discourse in Germany,
Pale Mother." Gender and German Cinema: Feminist Interventions.
Vol II: German Film History/ German History on Film. Sandra Frieden
et al., eds. Providence, Oxford: Berg, 1993. 185-206
- Hyams,
Barbara. "Is the Apolitical
Woman at Peace?: A Reading of the Fairy Tale in Germany, Pale Mother."
Perspectives
on German Cinema. Terri Ginsberg and Kirsten Moana Thompson, eds.
New
York: G.K. Hall & Co., 1996. 346-360.
- Kaes, Anton.
"Our Childhood,
Ourselves", From Hitler to Heimat: The Return of History as Film.
Cambridge: Harvard University Press, 1989. 137-160
- Kaplan, E.
Ann. "The Search
for the Mother/Land in Sanders-Brahm’s
Germany, Pale Mother." German
Film and Literature: Adaptations and Transformations, ed. Eric
Rentschler.
New York: Methuen, 1986. 289-304.
- Linville,
Susan E. "The Mother-Daughter
Plot in History: Helma Sanders-Brahm’s
Germany, Pale Mother." Feminism,
Film, Fascism. Women’s Auto/ Biographical Film in Postwar Germany.
Austin: University of Texas Press, 1998. 41-63
- Möhrmann,
Renate. "’Germany,
Pale Mother’: On the Mother Figures in New German Women’s Film." Women
in German Yearbook 11 (1995): 67-80.
- Morewedge,
Rosmarie Thee. "’The
Robber Bridegroom’ in Helma Sanders-Brahms’s film Deutschland,
bleiche
Mutter: Erzähltes Märchen und erlebtes
Greuelmärchen."
Framing
the Past. The Historiography of German Cinema and Television. Bruce
A. Murray and Christopher J. Wickham, eds. Carbondale and Edwardsville:
Southern Illinois University Press, 1992. 231-239
The
Promise (Das Versprechen) Top
of Page
- Adamek,
Pauline. “Interview
with Margarethe von Trotta.” Goethe-Institute Montreal, October 3, 1995
[http://www.goethe.de/uk/mon/entrotta.htm]
- Kinzer,
Stephen. “The Wall is
Back as a Movie (and Still a Divider).” New York Times, March 6, 1995
- “The Promise”,
a review by Goethe-Institute
Montreal [http://www.goethe.de/uk/mon/archiv/enverspr.htm]
- Shulgasser,
Barbara. “When the
walls come tumbling down.” Examiner Movie Critic, November 17, 1995
[http://www.sfgate.com/ea/shulgasser/1117.4.html]
- Walsh, David.
“Margarethe von
Trotta's The Promise: The Berlin Wall comes between two lovers.” The
World
Socialist Web Site, November 25, 1995
[http://www.wsws.org/arts/1995/sep1995/trot-s95.shtml]
Men
(Männer) Top
of Page
- Phillips,
Klaus. “Interview
with Doris Dörrie: Filmmaker, Writer, Teacher.” Triangulated
Visions.
Women in Recent German Cinema.
- Majer O’Sickey
and von Zadow,
eds. Albany: SUNY Press, 1998. 173-182
- http://castle.UVic.CA/german/439/doerrie.html
(Information about Doris Dörrie)
- http://www.german-cinema.de/magazine/1999/02/germdirect/doerrie.html
(Portrait of Doris Dörrie)
Makin’
Up (Abgeschminkt) Top
of Page
- Caprio,
Temby. “Women’s
Cinema in the Nineties: Abgeschminkt! And Happy Ends?”, Seminar 33:4
(November
1997). 374-387.
Maybe,
Maybe Not (Der bewegte Mann) Top
of Page
- Beck,
HenryCabot. “Slapstick
farce from Germany,” The Star-Ledger, June 28, 1996
[http://www.nj.com/marquee/reviews_new/maybe.html]
- Busack,
Richard von. “Farce
From the Madding Crowd. German Sex Comedy Swings Open Closet Doors”,
Metroactive,
[http://www.metroactive.com/papers/metro/07.18.96/maybe-not-9629.html]
Beyond
Silence (Jenseits der Stille) Top
of Page
- Chase, Andrea.
“Beyond Silence,
Movie Review”, Movie Magazine International, 1998
[http://www.shoestring.org/mmi_revs/beyondsilence.html
- Movieweb.
“Beyond Sielnce”,
Review, Stills and Cast
[http://www.movieweb.com/movie/beyondsil/index.html]
- Stein,
Elizabeth “Beyond Silence”
A Review, Movie-Reviews.Com [http://www.movie-reviews.com/beyondsi.htm]
Run
Lola Run (Lola rennt) Top
of Page
- Adams, Sam.
“Run Lola Run”,
Philadelphia Citypaper,
[http://www.citypaper.net/movies/r/runlolarun.shtml]
- Goldberg,
Michelle. “Tom Tykwer's
'Run Lola Run' Mixes Hong Kong Action with European Philosophy”,
Metroactive
[http://www.metroactive.com/papers/metro/06.24.99/runlolarun-9925.html]
- Howe, Desson.
“’Run Lola Run’:
Catch It”, Washington Post, July 2, 1999
- Sony Movie
Classics, “Run Lola
Run.” [http://www.spe.sony.com/classics/runlolarun/runlolarun.html]
- Wunder, Paul.
“Run Lola Run.”
Screening Room Film reviews by Paul Wunder
[http://www.pwunder.com/reviews/runlola.html
2.
Expressionist German Cinema in the Weimar Republic Top
of Page
- Barlow, John
D. German Expressionist
Film. Boston: Twayne Publishers, 1982. [On Reserve]
- Eisner, Lotte.
The Haunted
Screen. Berkeley: University of California Press, 1973. [On
Reserve]
- Eisner, Lotte.
Fritz Lang.
New York: Da Capo Press, 1986.[On Reserve]
- Kracauer,
Siegfried. From
Caligari to Hitler, a Psychological History of the German Film.
Princeton,
N.J.: Princeton University Press, 1947. [On Reserve]
- Kreimer,
Klaus. The UFA Story.
A History of Germany’s Greatest Film Company 1918-1945. New York:
Hill
and Wang, 1996. Murray, Bruce A. Film and the German Left in the
Weimar
Republic. From Caligari to Kuhle Wumpe. Austin: University of Texas
Press, 1990
- Plummer,
Thomas G., ed. Film
and Politics in the Weimar Republic. New York: Holmes and Meier,
1982.
3.
Film in the Third Reich Top
of Page
- Hull, David
Stewart. Film
in the Third Reich. Art and Propaganda in Nazi Germany. New York:
Simon
and Schuster, 1973
[On Reserve]
- Welch, David. Propaganda
and the German Cinema 1933-1945. Oxford: Clarendon, 1985. [On
Reserve]
- Rentschler,
Eric. The Ministry
of Illusion. Cambridge: Harvard University Press, 1996
4.
New German Cinema Top
of Page
- Corrigan,
Timothy. New German
Film: The Displaced Image. Austin: Univ. of Texas Press, 1983.
- Elsaesser,
Thomas. New German
Cinema. A History. New Brunswick: Rutgers University Press, 1989.[On
Reserve]
- Fehrenbach,
Heide. Cinema
in Democratizing Germany. Chapel Hill, London: University of North
Carolina Press, 1995
- Franklin,
James. New German
Cinema: From Oberhausen to Hamburg. Boston: Twayne, 1983. [On
Reserve]
- Frieden,
Sandra et al., eds.
Gender
and German Cinema. Feminist Interventions. 2 vols. Providence,
Oxford:
Berg, 1993
- Kaes, Anton. From
Hitler
to Heimat. The Return of History as Film. Cambridge: Harvard
University
Press, 1989. [On Reserve]
- Knight, Julia.
Women and
the new German Cinema. London, New York: Verso, 1992
- Kolker, Robert
Phillip and Peter
Beicken, The Films of Wim Wenders: cinema as vision and desire.
Cambridge, New York: Cambridge University Press, 1993
- Linville,
Susan E. Feminism,
Film, Fascism. Women’s Auto/ Biographical Film in Postwar Germany.
Austin: University of Texas Press, 1998.
- Majer
O’Sickey, Ingeborg and
Angeborg von Zadow, eds. Triangulated Visions. Women in Recent
German
Cinema. Albany: SUNY Press, 1998
- Manvell, Roger
and Heinrich
Fraenkel. The German Cinema. New York: Praeger Publishers, 1971.
- Murray, Bruce
A. and Christopher
J. Wickham, eds. Framing the Past. The Historiography of German
Cinema
and Television. Carbondale and Edwardsville: Southern Illinois
University
Press, 1992
- Pflaum, Hans
G. and Hans H.
Prinzler.
Cinema in the Federal Republic of Germany, Bonn: Inter
Nationes, 1993. [On Reserve]
- Rentschler,
Eric, West German
Film in the Course of Time. New York: Redgrave, 1984. [On
Reserve]
- Rentschler,
Eric, ed. German
Film and Literature. New York: Methuen, 1986.
- Rentschler,
Eric, ed.. West
German Filmmakers on Film: Vision and Voices. New York: Homes &
Meier, 1988.
- Sandford,
John. The New German
Cinema. Totowa: Barnes & Noble Books, 1980
- Santner, Eric L.
Stranded
Objects: Mourning, Memory, and Film in postwar Germany. Ithaka:
Cornell
University Press, 1990
- Seminar. A
Journal of Germanic
Studies. Special Theme Issue on Recent German Film. 33.4 (November
1997). [On Reserve]
- Silverman,
Marc. German Cinema.
Texts in Context. Detroit: Wayne University Press, 1995
5.
New German Comedies Top
of Page
- Coury, David.
"From Aesthetics
to Commercialism: Narration and the New German Comedy", Seminar 33:4
(November
1997). 356-373.
- Caprio, Temby.
"Women’s Cinema
in the Nineties: Abgeschminkt! And Happy Ends?", Seminar 33:4
(November
1997). 374-387.
- Phillips,
Klaus. "Interview
with Doris Dörrie: Filmmaker, Writer, Teacher." Triangulated
Visions.
Women in Recent German Cinema. Ingeborg Majer O’Sickey and Angeborg
von Zadow, eds. Albany: SUNY Press, 1998. 173-182
Angier, Carole.
"Always
the Outsider." Sight and Sound, January 1992.
6.
Books on Introductions to Film Theory and Analysis Top
of Page
- Bordwell,
David and Kristen
Thompson. Film Art: An Introduction. 5th ed. New
York:
McGraw Hill, 1997. [On Reserve]
- Kawin, Bruce
F. How Movies
Work. Berkeley: University of California Press, 1992
- Monaco, James.
How to Read
a Film. New York: Oxford Univ. Press, 1977.
- Withers,
Robert S. Introduction
to Film. New York: Barnes & Noble, 1983.
- Andrew, J.
Dudley. Concepts
in Film Theory. New York: Oxford Univ. Press, 1984.
- Andrew, J.
Dudley. The Major
Film Theories: An Introduction. NY: Oxford Univ. Press, 1976.
- Luhr, William
and Peter Lehman.
Authorship
and Narrative in the Cinema. New York: Putnam, 1977.
- Wollen, Peter.
Signs and
Meaning in the Cinema. Bloomington: Indiana Univ. Press, 1972.
7.
Journals Top
of Page
- New German
Critique (14, 24-5,
32-3, 34)
- Jump Cut,
Camera Obscura, Discourse,
Screen, Monthly Film Bulletin, Sight & Sound,
- Wide Angle,
Vol. 3, No.
4, 1980. Special Issue on New German Cinema.
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